See Figures 4 and 5 below. (click the gear symbol ( Figure 4) ->tools -> options-> general on the Lync client). If all checks out to this point, turn on Lync client logging on the Lync client itself. Start a new nslookup session and type to verify the fully qualified domain name can be reached. another connection point that must be reachable is the Lync server fully qualified domain name. If the lookup fails, either the service locator record (SRV) is missing from the server DNS, or there is a blockage in the connection to the server. Verify the SRV record for automatic client login. Along a similar path of troubleshooting, port failure. See TechNet documentation for more information. Place this http address into a browser on the affected client.įailure indicates a connection problem with IIS on the Lync server. If the configuration is already automatic and fails, try putting in the connection IP address ( Figure 3).Īnother step to isolate the failure to IIS or http is to verify the /abs/handler URL. Verify the configuration mode is automatic (tools ->options-> advanced on the Lync client) The steps to set manual configuration are: If you find connection problems from the Lync information, compare the results with using a manual configuration. The RUCT tool may be able to help explain why some of the failures in figure 2 may be occurring. See the remote unified communications troubleshooting tool (RUCT tool) at the end of this article. While this may not be a root cause, this would point to to failure between Exchange and Lync. For Example the EWS failure line may indicate there is an Exchange communication failure. Review and research failure lines from Figure 2 below. choose this option as seen below in Figure 1. You will see a choice called configure information. Using the keyboard, hold the control key and right click the Lync icon, at the bottom right corner of the windows task bar. Provided the questions were answered with the actual setting of the Lync deployment, this will generate an accurate network topology diagram that can be used to proof the Lync environment for best practices.Īn important Lync client troubleshooting step utilizes the client information property. Answering questions on the Lync Server Planning Tool will generate a network diagram. Another tool that can be helpful is the Lync Planning Tool. Microsoft has formalized the process into a checklist: The Microsoft Lync Check List. What is the name of the Sip domain? Is it the same as the mail domain or domain name? How many firewalls, routers, and switches are part of the Lync network?Īre VLANS used? How many and are they well connected? What is the source subnet and target subnet? Issue 1: Collect Deployment Specific Detailsīefore beginning to troubleshoot issues on Lync deployments, take a moment to find the characteristics of the deployment. This article provides information on how to troubleshoot a Lync Client.
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To see the output, you can run the following command in terminal and visit http://localhost:8000/rss. You can find all available options in docs. This is passed on to the custom_elements field in serializer. But because the process is expensive, it is not build on development. Gatsby-plugin-mdx exposes an html field for the purpose of building RSS blogs. Note to add the published filter if you use this format to hide drafts. Query field inside this object stands for graphql query that retrieves all the pages in the blog. Because we have a MDX Blog, we need a custom serializer to transform pages into HTML objects that the RSS Feed readers understand. This defines all the options for our RSS Feed. In addition, as an open-source project, Winds keeps getting better thanks to contributions from its growing user base (now over 14,000 users and 5,500 stars). Inside feeds array, we have our feed object. In this case, leveraging Stream and other great services allowed us to build a podcast and RSS reader, Winds, in months rather than years. For example, one for your blog and another for your podcast. This is an array so that you can create multiple feeds. You can import individual feeds or OPML files, define how and when feeds are updated, use filters or notifications, and customize how contents are displayed to you. The program ships with all the bells and whistles youd except it to. This data is important to construct siteUrl and guids. QuiteRSS QuiteRSS is a full blown RSS reader for Windows that is in active development. Finally, as a demonstration of concept, we discuss how comparing feedback files of the different reanalyses can guide users to useful scales of variability.The first query attribute let’s us query for site level attributes like siteMetadata. We also identified stations with homogeneity problems in the reported station values, demonstrating how reanalyses can be applied to support quality control for the observed station data. We discuss some typical examples where differences are found, e.g., where the mean wind distributions differ (probably related to either height or model topography differences) and where the correlations break down (because of unresolved local topography) which applies to a minority of stations. Still, the inter-annual variability connected to the North Atlantic Oscillation (NAO) found in the reanalysis surface wind anomalies is in accordance with the anomalies recorded by the stations. As expected from the lower spatial resolution and reduced amount of data assimilated into ERA-20C, the correlation of monthly means decreases somewhat relative to the other reanalyses (in our investigated period of 2007 to 2010). Generally, the correlation between the higher resolved COSMO-REA6 wind fields and station observations is highest, for both assimilated and non-assimilated (i.e., independent) observations. High correlations (larger than 0.9) can be found between stations and reanalysis monthly mean wind speeds all over Germany. We show that for the majority of the stations, the Weibull parameters of the daily mean wind speed frequency distribution match remarkably well with the ones derived from the reanalysis fields. We compare with a regional reanalysis (COSMO-REA6) and two global reanalyses, ERA-Interim and ERA-20C. In this period, the station time series in Germany can be expected to be mostly homogeneous. Here we compare the statistical properties of wind speeds observed at 210 traditional meteorological stations over Germany with the reanalyses' near-surface fields, confining the analysis to the recent years (2007 to 2010). Inter-comparing reanalyses via employing independent observations can help to guide users to useful spatio-temporal scales. Reanalysis near-surface wind fields from multiple reanalyses are potentially an important information source for wind energy applications. If youre having trouble hearing Maps instructions through your Bluetooth speakers, play Maps audio through your. If a relevant article is not available online, another topically-appropriate article will be shown instead. Bluetooth devices dont always connect easily. ✻etter Ears« shows the relevant Wikipedia article for the current exercise. You can even control ✻etter Ears« using a connected keyboard.įor every exercise ✻etter Ears« knows all your current stats, including how often you have answered each question correctly or incorrectly. Points: 1 + 44 Version: 3.7 Better Ears is an educational Music Theory and Ear Training app, which helps you grow your musical skills and enhance your hearing. ✻etter Ears« supports routing sound through an external MIDI device, allowing you to use your existing MIDI master keyboard or sound module. You can choose what to sync: Your own levels, your statistics, your settings or all of this. With ✻etter Ears« you can keep your Windows and your iOS devices in sync. Put yourself in "Training Camp" to learn church modes, or concentrate on those two pesky intervals that constantly cause you problems. While the iOS device searches for the hearing aids, turn your hearing aids off and. ✻etter Ears« ships with four preset levels:Īdditionally you can can create your own levels, letting you train to your own specific needs. Within the Settings menu go to Settings > Accessibility > Hearing Devices. Best overall AirPods 200 at Amazon 160 at Amazon Beats Fit Pro Best Apple buds for working out 160 at Amazon 549 at Apple AirPods Max Best noise-canceling headphones 549 at Apple 200 at. ✻etter Ears« comes with a virtual keyboard and virtual guitar fretboard. The new editor for Chords, Scales and Chord Progressions allows you to add your own items.Ĭhoose your training sound from more than 100 different instruments, either using the integrated ✻etter Ears« sound generator or Apples native DLS SoftSynth. ✻etter Ears« includes 13 different exercises:Ĭustom Chords, Scales and Chord Progressions* Vous pouvez suivre la performance de Better Ears - Ear Trainer pour chaque heure de chaque jour sur diffrents pays, catgories et appareils. There are no rules you have to follow, you decide when to start and how often to practice. L'Historique des classements indique la popularit de Better Ears - Ear Trainer sur iOS app store et son volution au fil du temps. With ✻etter Ears« you can decide for yourself what your training routine should look like. Also it has no custom exercises and pitch detection using the microphone. ✻etter Ears Beginner« has all the features of ✻etter Ears«, but is limited to one level and one instrument. There are 13 different exercises included, starting from interval recognition all the way to chord progressions - perfect for beginners and music-masters alike! Better Ears (formerly known as Karajan - Music and Ear Trainer), is an educational music and ear training app, which helps you grow your musical skills. ✻etter Ears« helps you grow your musical skills and enhance your hearing capabilities. ¿Qué hace Better Ears Beginner De? ✻etter Ears Beginner« is the free version of ✻etter Ears«, an educational music and ear training program. Connect your hearing aids with your iOS device Philips HearLink is a Made for iPhone, iPad, iPod touch hearing aid. Plug in earphones and move the button on the slider to personalize the sound for maximum speech clarity and amplification. Best Earbuds For iPhone Apple AirPods Pro (2nd generation) Truly Wireless Searching Finding store Searching Finding store Neutral Sound 7.4 Commute/Travel 8. Open the app and enter the user’s age and gender, so that the app can customize the experience. Descargar para MacOS - servidor 1 -> Gratis Ditch the cable with the best true wireless earbuds Included in this guide: 1 Sony WF-1000XM4 Wireless Earbuds Check Price 2 Cambridge Audio Melomania 1 Plus Check Price 3 Apple AirPods Pro 2nd. To download Mobile Ears, please visit the iOS app store here.There is a free and a paid for version of the app, the difference being how much you can modify the volume and level of background noise (on Android), or the number of minutes you can use the service for (100 free minutes on iPhone). You can track the performance of Better Ears - Ear Trainer every hour of every day across different countries, categories and devices. Rank History shows how popular Better Ears - Ear Trainer is in the iOS, and how that’s changed over time. Please be patient – it may take a little time to get used to it. Check out the download rank history for Better Ears - Ear Trainer in United States. You can use the sliders to turn up the volume of the person speaking to you (or the person speaking on the TV!), turn down background noise, and then enjoy an enhanced listening experience during one-to-one conversations. Simply download the app to your iPhone or Android, connect to headphones (ideally noise cancelling headphones for the best experience), open the app, and start exploring. In 2002, Above & Beyond made their DJ debut in Tokyo performing for 8,000 clubbers alongside Ferry Corsten and Tiësto. In 2001, Above & Beyond produced a club mix for Madonna's single " What It Feels Like for a Girl", and also remixed select tracks by Delerium, Three Drives, and J-pop artist Ayumi Hamasaki. These tracks served as the foundation for Above & Beyond's reputation as one of the UK's leading vocal trance remixers. Interest in Above & Beyond soon emerged from established trance labels and new remixes were requested: the trio remixed Aurora's "Ordinary World", Fragma's "Everytime You Need Me", Perpetuous Dreamer's "The Sound of Goodbye", and Adamski's "In the City". Problems playing this file? See media help. Other collaborators in the band's early stages include Andy Moor and vocalists Carrie Skipper, Ashley Tomberlin, Zoë Johnston, and Richard Bedford.Įarly productions and DJ career debut (2001–2005) In addition to Above & Beyond's production work, the trio also established the vocal trance group OceanLab with Justine Suissa. Although the group was relatively unknown at the time, their remix of Chakra's "Home" was picked over remixes by Rob Searle and Tilt to be the A-side mix, and, after plays by Pete Tong on BBC Radio 1, it reached number one in the UK club charts. The slogan used by the motivational trainer was "Above & Beyond", and they decided to use that as their name. When the group was searching for a name to use for their Chakra remix, the inspiration came from a web page belonging to an American motivational trainer coincidentally named Jono Grant. Having been commissioned to remix Chakra's "Home", Tony McGuinness recruited Grant and Siljamäki to help him complete the remix. Liam had purchased a sample library that Grant had created for Yamaha and got in touch with Jono. įollowing the success of "Volume One" and a string of singles and remixes under their Free State and Dirt Devils alter egos, the marketing director & manager of Warner Music Group, Tony McGuinness, was alerted to the duo by his brother, Liam McGuinness. The original mix of "Volume One", packaged with their Tease Dub Mix, received immediate attention in various dance clubs and quickly gained support from DJs such as Pete Tong, Paul Oakenfold, Judge Jules, and Paul van Dyk, after Grant and Paavo Siljamäki personally handed a dub plate of the song to Paul Oakenfold in 2000 at Home, the now-defunct London nightclub. Since the label acquired the same name as their production alias, however, they started to release music under different names, most notably as Dirt Devils and Free State. Initially, the Anjunabeats record label was founded as a medium to release their own music. Following Siljamäki's suggestion, they set up the Anjunabeats label in the summer of 1999 with the release of their first single, "Volume One", under the alias Anjunabeats. Having discovered a common mutual interest for electronic music, they decided to collaborate in writing music together. Grant and Siljamäki met at the University of Westminster. The trio has been consistently ranked among DJ Magazine's Top 100 DJs Poll, having placed at No. Formed in 2000, they are the owners of London-based electronic dance music labels Anjunabeats and Anjunadeep, and also host a weekly radio show titled Group Therapy Radio. Above & Beyond are an electronic music group consisting of English DJs Jono Grant, Tony McGuinness and Finnish DJ Paavo Siljamäki. You must also allow former employees to come back and print copies upon request. Make sure to file and save employee pay stubs for at least three years. You should not charge them for creating a record of what they've done. Your employees should be able to print their pay stubs for free at work at any time. They should be able to do this by using company computers or their own personal computers. Your employees should be able to access their pay stub records at work. This includes hours worked, deductions, and pay rate. Make sure each pay stub, electronic or paper, has all of the mandatory items as listed above. You must be able to provide them this record. Employees PreferenceĪn employee has the choice at any time to receive a paper pay stub. Electronic pay stubs follow labor codes if they do any of the following things 1. If you're using paperless paychecks, make sure you avoid classic mistakes. They may do this electronically if an employee requests it and an employer approves it. Paperless Checkstubs: Avoid These MistakesĬalifornia labor laws require employers to provide hours worked, deductions and pay rates on their pay stubs. If the employee opts to miss a meal break or a break he's allowed during the day, make sure you include the area on the paystub that indicates you compensated him for the hard work put in. Make an area on the pay stub for double time or any premiums you paid the employee. You are creating a record of what the employee did for you. List overtime compensation and commissions or bonuses in a clear way. You never know when you will need it, whether the employee asks for another copy or if you need it for reference. Once you've generated a paystub, keep a copy of it for your records. This all proves the validity of the employer. Include the address of the employer as well. Make sure you include the business name or legal name of the employer on the paystub. You're creating a record of when the employee worked and how much you compensated him for that work. Do not just include the date that you issued the paystub at the top. State both when the employee's total hours began and when they ended. You need more than just how much money you paid the employee. Make sure you list the employee's total hours worked in the pay period. If you're generating a paystub, make sure you do these things. Your pay stub proves that you've had a job and received compensation. If you're attempting to rent an apartment or pay your taxes, you will need this simple piece of paper. If you attempt to obtain a personal or auto loan or apply for a mortgage refinance, you will need a pay stub. He or she will need it to secure a bank loan or obtain credit cards.Īnytime a person needs proof of income or a strong work reference, they need a pay stub. Essentially, an employee needs a pay stub anytime he needs a record of his paychecks. With all things in the world moving towards a digital existence, why do you need a piece of paper that says how much you were paid? People need paystubs for a variety of reasons. You may wonder why employees need paystubs. If you have all of these items on your paystub, you will have what you need for a thorough record of what the employee did and how a company compensated him.Īlso read: Best Practices When Creating a Check Stub for a Self Employed Person
VStack allows to arrange its child views in a vertical line, and ZStack allows to overlap its child views on top of each other. HStack allows to arrange its child views in a horizontal line. This story is part of a series on SwiftUI Accessibility. Using stacks in SwiftUI allows you to arrange multiple views into a single coherent view with certain properties. It contains a title, subtitle, and an image that acts as a button. By adding a modifier we can make the stack take on the accessibility attributes and traits of the elements they contain.įor this example, we’re going to use this stack. This makes perfect sense because stacks are how we visually group elements, so why shouldn’t we use these to group accessibility elements too? Stacks aren’t accessibility elements by default because on their own they have no value we can convey to our user. Semantic views in SwiftUI start with stacks. 606 bytes.” How can we be certain what the date and size refer to? Stacks If we heard “MyPlayground.” swipe “16th of July two thousand and nineteen. It also provides more context for each item. This makes navigation simpler by reducing swipes. For example, the following code applies the headline font to three views in a group. Enter Landmarks as the product name, select SwiftUI for the interface and Swift for the. In the template selector, select iOS as the platform, select the App template, and then click Next. After creating a group, any modifier you apply to the group affects all of that group’s members. Open Xcode and either click Create a new Xcode project in Xcode’s startup window, or choose File > New > Project. You can combine and embed multiple views in stacks, which group views together horizontally, vertically, or back-to-front. IOS does this for us automatically in table views by grouping the cell’s content into the cell and presenting the cell to VoiceOver as one semantic view. Use a group to collect multiple views into a single instance, without affecting the layout of those views, like an HStack, VStack, or Section would. When creating a SwiftUI view, you describe its content, layout, and behavior in the view’s body property however, the body property only returns a single view. But VoiceOver reads them all together without me needing to navigate each element. If you need several views to act as one for example, to transition together then you should use SwiftUI’s Group view. In iCloud.” All this information is made up from two labels and a button: the cell title “MyPlayground”, the subtitle including the date and size, and the iCloud download button. I have enabled VoiceOver, and have navigated down the list to a swift playgrounds file. Take a look at this iOS table view cell from the files app. A what view?Ī semantic view is not one view, but a collection of views grouped together because they have meaning (or semantic) together. They’re more a technique for manipulating the accessible user interface and improving the experience for assistive technology users. Semantic views are not so much a language feature. Semantic views are not new to SwiftUI, but changes in SwiftUI mean creating them is simple. Ultimate Custom Night welcomes all the loyal fans. And that’s not the entire list of all opportunities you will find while playing. In this game creators also combined all these mechanics to diversify the process and make the walkthrough more interesting. Or try to wear the special costume that makes you look like them. The same goes for doors and your special costume.Ĭlose the doors only when animatronics are approaching you. Watch the monitor to discover when these monsters wade to your room. They are connected to cameras all over the building. With 50+ animatronics and characters, you get the perfect mix of office skins, challenges, content, and more. It uses a wide range of sequences and cutscenes to provide you with a fun experience. Take a look at the monitors in front of you. For the popular Five Nights At Freddy’s (FNAF) series, Ultimate Custom Night serves as the perfect extension. Ultimate Custom Night welcomes all the loyal. So how to survive in these difficult conditions? The answer is simple, use all opportunities you have! What about the gameplay? Or try to wear the special costume that makes you look like them. This place is dark, you can’t hide and move between rooms, and you have a bunch of opened doors and vents for your enemies. To save yourself, you need to be ready for their attacks. But you can’t let your guard down, because the frightening animatronics are coming. You are able to explore it and find various easter eggs and new information about this series and its personages. It is full of different rubbish, various pictures and mechanisms. On the first day you receive your own room. But nobody knows that the danger is hiding in the center of this building. You need to guard this place and protect it from different criminals and vandals. You play an average guard whose job is to stay in a certain building till dawn. Our old familiar fnaf is on your screens again. For example, you can decide that this evil bear will be a very difficult opponent and raise his level to 20. Moreover, you have the opportunity to pick their difficulty level. This mission seems impossible, because how can you control fifty furious animatronics? But nothing is impossible for brave horror lovers like you. For the bravest players developers added a possibility to pick the entire list of them and try to survive. published the results of its quest for the Ultimate Sports City in North America. So select one character and try to stay alive, or stay against a group of them and prepare a good plan, because you will definitely need it. In fact, Indianapolis is so thoroughly guy-centric, it's weird. Developers added all the personages from previous series, so at the end you received fifty characters to pick. There you can see the popular bear, his friends from the first original series, and some new faces. Here you are able to pick the enemies from the long list of familiar and new antagonists. All for you to enjoy this thrilling atmosphere again! Choose your antagonistīefore you begin to play, you need to choose your enemy. Super Bike Wild Race Beat Line Mr Bean Solitaire Adventures Princess After Back Surgery Football Masters Call Of Ops 3 Princess Rivalry Hungry Shark Arena Bubble Shooter Funny Bone Surgery Basket Champs Dinosaur Sniping Bike Stunt Driving Simulator 3d Hello Guys Magic Nail Spa Guys Parkour Rocket Clash 3D City Blocks Doomsday Hero Hero Masters Police Stickman Wrestling Fighting Game Draw Tattoo Highway Racer 3D Kpop Adventure Noob Vs 1000 Zombies Tic Tac Toe Multiplayer Funny Haircut Maritime Sniper Glow Hockey HD Move the Car Bounce Ball Flip Bottle Dead Zed Crazy Intersection Tik Tok Princess Yummy Waffle Ice Cream Snake Io War Nurse Run 3d Charge Now Us Army Vehicle Transporter Truck Happy Glass 2 Highway Racer Pokey Woman Grab The Sushi Sniper Action Fashion Art Diy High Heels Online Hair Challenge Online Mental Hospital Escape Moto Road Rash 3D Baby Bake Cake Jetpack Joyride Bounce Big Online Endless Runner 3D Indiantruck Simulator 3D Super Billy Boy Pixel World Galaxy Attack: Alien Shooter Perfect Slices Master Run Rich 3d Moto Maniac 3 Gun Night IO Miami Crime Simulator 3D Roller Ball 5 Ladybird Secret Identity Revealed Worms Zone A Slithery Snake Bridal Race 3d One Escape Paw Care Burnin Rubber 5 Xs Uphill Rush 9 Ninja Legend Flipsurf.Fans of this series – this exciting game is for you! To create the unique product that will please fans of every episode, scott cawthon made this new version where he combined all the mechanics and characters from the previous parts. Against this backdrop, attractive opportunities for premium growth opened up in the 2015 financial year. Guided by its profit-oriented underwriting policy, the company benefited from its long-standing stable customer relationships and its position as one of the world's leading and most financially strong reinsurance groups. Property and casualty reinsurance delivers further rise in profitabilityĭespite intensely competitive market conditions Hannover Re is thoroughly satisfied with the development of its property and casualty reinsurance portfolio. Earnings per share amounted to EUR 9.54 (EUR 8.17). This is the highest figure in the company's history. Group net income climbed by 16.7 % to EUR 1,150.7 million (EUR 985.6 million). The result benefited from major loss expenditure that came in below budget, the favourable development of investment income and a very positive experience in life and health reinsurance. Hannover Re further improved its operating profit (EBIT) after the very good previous year by a substantial 19.7% to EUR 1.8 billion (EUR 1.5 billion). Net premium earned increased by 17.5% to EUR 14.6 billion (EUR 12.4 billion), or by 7.9% adjusted for exchange rate effects. The level of retained premium decreased slightly to 87.0% (87.6%). Despite the challenging general environment in the reinsurance market, the company grew its gross premium by 18.8% to EUR 17.1 billion (EUR 14.4 billion) currency-adjusted growth stood at 8.7%. Hannover Re is exceptionally satisfied with the development of its business in 2015. 2015 best financial year in company’s history The payout ratio of 50% of IFRS Group net income is clearly above the strategic target range of 35% to 40%. We are now increasing this, along with our regular dividend", Mr. "Last year we had already paid our shareholders a special dividend in light of capital management considerations. The Executive Board and Supervisory Board will propose to the Annual General Meeting that a dividend of altogether EUR 4.75 per share (EUR 4.25 per share) should be paid for the 2015 financial year: the payout will take the form of a regular dividend of EUR 3.25 per share plus a special dividend of EUR 1.50 per share. It is envisaged that Hannover Re's shareholders should also benefit from this pleasing business development. What is even more important than the result, however, is that with the successful 2015 financial year we have considerably improved our platform for achieving our financial goals over the coming years", Chief Executive Officer Ulrich Wallin stated. "A strong underwriting result in property and casualty reinsurance and sharply higher net profit in life and health reinsurance – combined with a substantial rise in investment income – are the cornerstones of our outstanding Group net income. But when these changes occur too frequently, investors should pay particular attention as it often suggests deeper issues in the business.Hannover Re closed the 2015 financial year with a record result of EUR 1.15 billion and thus comfortably beat its profit target of EUR 950 million. Tweaks in leadership are normal and healthy as a company grows. Instability in a founding team can show up in ego-driven abrasive management, favoritism and unfair compensation - issues and inequity that will cause people to leave. A revolving door showing that the company can’t retain top talent will negatively impact its financial prospects, both short and longer term. It’s a red flag that drama is consuming the company while its mission is mostly sidelined. Turnover disrupts the company’s operation, culture and growth trajectory. Frequent staff turnoverįrequent and high turnover is often a red flag for investors as it usually indicates instability and internal conflicts within the founding team. Without a fine-tuned balance of business acumen and technical ingenuity, a startup may struggle to develop their game-changing product, bring it to market, scale the business and attract customers and investors. A founding team must always have relevant, gifted technical expertise to be viable. Conversely, I’ve seen companies filled with many superb business professionals that are deficient in their technical prowess. I’ve heard pitches from many life science companies with deeply credentialed and innovative technical founders with absolutely no business expertise on the team. Even the most experienced angel investors and VCs can overlook red flags that are not immediately apparent. "By expanding the number of shows from member stations and media partners that we make available to our listeners, we're able to connect to more people in the community and increase the number of people who will find something here that's for them," said Walton "After 16 years of operating WVXU, it was time for us to make a complete commitment to bringing our listeners the best news, talk, analysis, and engaging public radio programming available," said Jenell Walton, Cincinnati Public Radio Vice President of Content. The new schedule takes effect Saturday, August 14, with new programs such as Cultivating Place, A Way with Words and Code Switch and Life Kit. With an ear to bringing a wider diversity of voices to the Cincinnati airwaves and solidifying 91.7 WVXU as the full time news/talk/information station serving our community, Cincinnati Public Radio has made the decision to stop airing shows which are based on musical recordings. In the last few years, there's been an explosion of exciting new radio shows and podcasts focused on news, politics, current events, arts and culture, science, and storytelling. Here's the WVXU programming media release: "Our new schedule will instead concentrate on programming with news, narrative and talk formats, which is what we’re known for … We’re striving to broaden the horizons of choice that we can offer and increase the number of people who will find something here that’s for them." The station also explained the changes this way: Walton also notes that listeners' habits shifted during the coronavirus pandemic, with many people working at home and not just tuning in while driving to and from work. and Swing with Bill Cartwright will be expanded in coming weeks. will continue to air Friday 10 p.m.-midnight on WGUC HD2 which is available online, through the WGUC app or smart speakers. "Most people don't come to us for that particular kind of music format," Walton says. John Diliberto's Echoes, a holdover from Xavier University's schedule, features a "soundscape" mix of jazz, acoustic, electronic, avante-garde and space music, according to, which offers a subscription service. The new shows build on the station's motto of "connecting you to a world of ideas," and will "increase the number of people who will find something here that's for them," Walton said in the station announcement today. No changes are being made to 24/7 classical music WGUC-FM. The WVXU-FM lineup will continue to be simulcast on Oxford's WMUB-FM (88.5). "Listeners can call in and engage with our programming an hour earlier in the day," Walton says. The Takeaway will be followed by Jenn White's national 1A talk show, which includes comments from listeners. with The Takeaway, a "fresh alternative in daily news" with listener participation. for The World (moving up an hour from 8 p.m.), and replaces the fifth hour of Morning Edition at 9 a.m. Listeners also will hear less of NPR's signature newscasts next week when WVXU drops the fourth hour of All Things Considered at 7 p.m. weeknights from 9 p.m., and eliminates Cincinnati Edition repeats at 7 a.m. The revamped schedule moves the Cincinnati Edition replay to 8 p.m. International news will be added to weekday afternoons with the BBC Newshour 3-4 p.m., in addition to the overnight BBC World Service (midnight-5 a.m.). Instead of replacing Cartwright and Ask Me Another in piecemeal moves, she took the opportunity to add a variety of voices providing national news, talk, information, analysis and entertainment.Īmong the additions are Gene Demby's Code Switch, Asian View, Life Kit, The Arts Hour, A Way With Words, Christopher Kimball's Milk Street Radio, The Takeaway and a return of Q, an arts and culture series which aired on WVXU from 2011 to 2017. "We're news, talk and information 90% of the day, so it was a good time to let go of the music," says Jenell Walton, Cincinnati Public Radio vice president of content. Saturdays), which traced its roots to 1976. Leaving the airwaves are John Diliberto's Echoes (weekdays 10 p.m.-midnight) repeats of Oscar Treadwell's Jazz With O.T., which continued on Sunday nights (10 p.m.-midnight) after his death in 2006 and Swing with Bill Cartwright (10-11 p.m. With the retirement of swing music host Bill Cartwright, and the end of National Public Radio's Ask Me Another with Ophira Eisenberg, WVXU this weekend will unveil the first major reboot of its programming lineup since acquiring the station from Xavier University in 2005. WVXU-FM is going all in with news/talk programming, and adding some diverse voices to the Cincinnati Public Radio airwaves starting this weekend. The plugin has been tested with Unreal Engine versions from 4.26 to 5.0. For Linux support, it is being discussed in #8. AVQ1030 – ATSC 3.Currently, this plugin supports Windows only. Gaian Solutions SUHAaaS – Software Upgrades & Home Automation by NextGenTV BroadcasterĪvateq Corp. ST Engineering iDirect MCX8000 Multi-Carrier Satellite Gateway AJA Dante AV 4K-T and 4K-RĬobalt Digital Sapphire 8JXS-8S Bulk Conversion AB612 – 4K/UHD Wireless Video SystemĪJA Video Systems, Inc. OpenDrives Atlas Core Software-Defined Storage (SDS)ĪBonAir Ltd. Viking Enterprise Solutions Cloud Native Obsidian (CNO) Edge Appliance WEKA WEKA® Data Platform (Fourth Generation) Wasabi Technologies Wasabi Cloud Sync Manager Storj Storj: the latest iteration (faster media file download and upload speeds) Quantum Myriad™ All-Flash Scale-Out File and Object Storage Nextologies Nextologies’ Control Panel (CP) Hewlett Packard Enterprise HPE ATSC 3.0 Broadcast Core Network Gaian solutions SUHAaaS – Secure Home Automation Software Upgrades Telos Alliance Axia® Altus Virtual Mixing Console Splashtop Splashtop High-Performance Remote Production Technology for Broadcasting & Media Program Productions, Inc ProCrewz® Enterprise Resource Management System Haivision Haivision StreamHub and Haivision Pro460 Ip-studio powered by Telos Alliance IP-ScreenerĪmazon Web Services (AWS) AWS Studio in the CloudĬobalt Digital Flexible BBG-2110 JPEG-XS ConvertersįUJIFILM North America Corporation FUJIFILM and Adobe/Frame.io Camera to Cloud Integration Gaian Solutions Vani – An HD Radio Network as a Service Over ATSC 3.0 Kino Flo Lighting Systems MIMIK 120 / Image Based Lighting TileĭTS / XPERI DTS AutoStage Broadcaster Portal Kelvin Kelvin Epos 600, 600W Full Color Spectrum RGBACL LED COB Studio Light Guangdong NanGuang Photo & Video Systems Co., Ltd. Betriebs KG Orbiter Projection Optics 25℃ and 35℃Įlation Professional Fuze Max Profile and the Proteus Maximus™ Zero Density Traxis Tracker: The Ultimate Camera Tracking HubĪputure INFINIBAR PB3, amaran 150c, MT Pro, and the amaran COB 60x SĪRRI Cine Technik GmbH & Co. Ross Video Ross Video Carbonite Ultra 60 – Bigger, Faster & More Powerful Zinema Motion GmbH THOR Camera Robot System Mark Roberts Motion Control AJS-2 Autojib LEMO Corporation LEMO 12G-SDI 4K Ultra-High-Definition Transmission Push-Pull Connectors Insta360 Insta360 ONE RS 1-Inch 360 EditionĬanon Canon Flex Zoom lenses – CN-E14-35mm T1.7 L S/SP wide-angle zoom lens and the CN-E31.5-95mm T1.7 L S/SP telephoto zoom lensĭomo Broadcast Systems Eclipse TX Wireless Camera TransmitterįUJIFILM North America Corporation FUJINON HZK25-1000mm F2.8 CineBox PL Lens “The winners of the 2023 Product of the Year Awards have demonstrated how they can help storytellers face the challenges of the present and future by revolutionizing the content lifecycle at all its stages.”Īudio Production, Processing and NetworkingĪudio Design Desk, Inc Audio Design Desk 2.0Ĭlear-Com Arcadia with HelixNet IntegrationįUJIFILM North America Corporation FUJIFILM X-H2 Mirrorless Digital Camera “Every year, NAB Show is excited to see what new, innovative breakthroughs our nominees have made to transform how content is created, connected and capitalized throughout the media and entertainment industry,” said Eric Trabb, senior vice president and chief customer success officer at NAB. To be eligible for an award, nominated products had to be submitted by companies exhibiting at the 2023 NAB Show and be available for delivery within the 2023 calendar year. Winners were selected by a panel of industry experts in 15 categories. And Best overall in the Capitalize category went to MediaKind MediaKind Aquila with SG1. While Best overall in the Connect category was ABonAir Ltd. The Best overall in the Create category was Fujifilm North America Corporation Fujinon HZK25-1000mm F2.8 CineBox PL Len. The awards recognize some of the most significant and promising new products and technologies exhibited at the show in the Create, Connect and Capitalize categories. NAB Show has announced the winners of the fifth annual Product of the Year Awards during a live awards ceremony at the 2023 NAB Show in Las Vegas. |